![]() Aside from Waters, none of the band members really stood out - a similar characteristic Pink Floyd adopted as their shows became bigger and more theatrical. He handled all his usual vocal parts, while Robbie Wyckoff sang sections originally sung by David Gilmour. Waters, of course, played bass, although on many songs that followed, he didn’t appear to be playing anything. Smith and Snowy White, keyboardists Jon Carin and Harry Waters, and backing vocalists Jon Joyce, Mark Lennon, Michael Lennon and Kipp Lennon. Instead of employing a surrogate band for the opening, a viable group of musicians played the entire show - drummer Graham Broad, guitarists Dave Kilminster, G.E. The lights dimmed and a game of musical chairs with dialog from the film Spartacus disrupted the anticipation, a more disfigured opening than the bumblings of a rambling announcer. As I was to find out, Waters used every prop and gimmick that appeared in the Floyd production, but also went to considerable lengths to update everything with better graphics and video playback. The wall under construction for this tour doesn’t seem as wide as the one Pink Floyd used, but apparently it’s bigger, leaner and higher tech. Roger Waters traversed back and forth through these parts for a couple of weeks, and I managed to grab a seat to shows at both the Staples Center and the Honda Center in Anaheim, the last stop of the U.S. Thirty years later, and The Wall was back up in my neighborhood - Southern California. Waters restaged the live presentation with a few new twists and detours, punching up its anti-war stance to give it a contemporary edge whilst retaining the original message of overall alienation. The technology was finally in place to make it road-worthy - far more than the four-city, 29-performance marathon of 1980. After Waters took The Dark Side Of The Moon on the road, it seemed only logical he should do the same with The Wall. There was talk of a Broadway show (hey, it worked for Tommy), but that’s as far as that went. Waters has worked relentlessly at establishing it as its own - a piece that lives or dies with or without Pink Floyd. Bits and pieces from Earl’s Court showed up in a documentary called Behind The Wall, but that’s pretty much the extent of it.īut The Wall lives on. I possess watchable bootlegs of both the Nassau Coliseum and Earl’s Court shows, but neither quite capture the wallop of being there. That has yet to materialize in any official capacity. In 2000, live recordings from Pink Floyd’s 1980 performances were released, perpetuating the hope that live video footage from the tour would follow. No one, not even Van Morrison, can sing “Comfortably Numb” quite as profoundly as David Gilmour. Roger Waters restaged it with special guests in Berlin in 1990, but it didn’t quite make it for me. A couple of years after that, The Wall was on the big screen and I watched it repeatedly. The next year, I saw Pink Floyd play The Wall at the L.A Sports Arena. I like to think it helped me get through college. The first time was in ‘79, around about the time the album popped out and clouded my optimism. So don't miss out on what could be the final trek ever from this Rock and Roll Hall of Fame inductee.The Wall came rumbling into my life once again. And because every Roger Waters 2023 concert date will feature an extensive setlist of Pink Floyd classics, solo material, and new music, you're in for an incredible celebration of one of progressive rock's most fascinating, consistent, and important voices. ![]() It's rumored to be his final major tour ever - and this website can help you find amazing tickets for any upcoming performance! Promising a show that is "more political" than his recent acclaimed "US + Them" Tour yet also "political and humane," the new tour will be presented in the round, allowing for a more intimate concert experience. Former Pink Floyd frontman and all-around prog rock legend Roger Waters is launching the 'This Is Not a Drill' Tour in 2023 after having to postpone its 2020 dates.
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